THE DESTRUCTIVE BEATUY OF WOOD
Goldsworthy utilises salvaged teak from a 19th-century house and repurposed old pewter tankards to create this work. He intricately cast pewter, drawing inspiration from the captivating patterns of woodworm markings and the trees themselves. Adopting a restrained approach, he highlighted the natural colour of the wood, incorporating subtle charring to enhance its depth and grain. This technique creates a harmonious dialogue between the materials, each contributing its own unique narrative.
Materials: Part Charred Teak and Pewter
Dimensions: 90cm (H) 25cm (W) x 20cm (D)
Goldsworthy utilises salvaged teak from a 19th-century house and repurposed old pewter tankards to create this work. He intricately cast pewter, drawing inspiration from the captivating patterns of woodworm markings and the trees themselves. Adopting a restrained approach, he highlighted the natural colour of the wood, incorporating subtle charring to enhance its depth and grain. This technique creates a harmonious dialogue between the materials, each contributing its own unique narrative.
Materials: Part Charred Teak and Pewter
Dimensions: 90cm (H) 25cm (W) x 20cm (D)
Goldsworthy utilises salvaged teak from a 19th-century house and repurposed old pewter tankards to create this work. He intricately cast pewter, drawing inspiration from the captivating patterns of woodworm markings and the trees themselves. Adopting a restrained approach, he highlighted the natural colour of the wood, incorporating subtle charring to enhance its depth and grain. This technique creates a harmonious dialogue between the materials, each contributing its own unique narrative.
Materials: Part Charred Teak and Pewter
Dimensions: 90cm (H) 25cm (W) x 20cm (D)
